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"Midnight Blue" is a song by American rock singer-songwriter Lou Gramm, issued as a 7" single in the United States in January 1987 by Atlantic Records. It was the lead-off single from Gramm's debut album, Ready or Not, released in February 1987. An extended remix of the song was available as a 12" single.
"Midnight Blue" reached #13 in the Netherlands in November 1982. In December the track entered the French charts where it remained for 31 weeks reaching number 1 in the Christmas of 1983. At the same time Michèle Torr hit the French charts with a rendering in French by lyricist Pierre Delanoë entitled "Midnight Blue en Irlande" (#13).
Right after 'Midnight Blue', everything changed" [10] - "We traveled thousands of miles shaking hands and playing: when [the song] finally got from the east coast to the west coast it was so huge...I [will] never forget that first experience of playing the intro to 'Midnight Blue' [to have] people started cheering....That was the power of radio ...
The lyrics describe a man who is infatuated with a married woman, knows he can never have her, and is relegated to confessing his love for her audibly, but alone. The original recording of "Midnight Confessions" was a demo by the Evergreen Blues Band, whose manager – Lou Josie – wrote the song.
Midnight Special" is a traditional folk song thought to have originated among prisoners in the American South. [1] The song refers to the passenger train Midnight Special and its "ever-loving light." The song is historically performed in the country-blues style from the viewpoint of the prisoner and has been performed by many artists.
Robert William Gary Moore (4 April 1952 – 6 February 2011) was a Northern Irish musician. Over the course of his career, he played in various groups and performed a range of music including blues, blues rock, hard rock, heavy metal and jazz fusion.
"Blue Notes 2" is a sequel to "Blue Notes", which was released as a part of Meek's eleventh mixtape, DC4 (2016) and samples Snowy White's track, "Midnight Blues". On the guitar-heavy instrumental, Meek is seen "delivering rapid-fire bars" with Uzi on the bridge and the song's fourth and final verse. [1]
According to Q magazine, 12 Songs demonstrated Newman's eccentric mix of traditional pop song structures and his sardonic, satirical humor. [7] AllMusic's Mark Deming said although his sense of humor seemed more caustic than on his self-titled debut album, Newman's "most mordant character studies" on 12 Songs "boast a recognizable humanity, which often make his subjects both pitiable and all ...