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allegro Cheerful or brisk; but commonly interpreted as lively, fast all'ottava "at the octave", see ottava alt (Eng.), alt dom, or altered dominant A jazz term which instructs chord-playing musicians such as a jazz pianist or jazz guitarist to perform a dominant (V7) chord with at least one (often both) altered (sharpened or flattened) 5th or 9th
Comes after other terms; e.g. adagio ma non tanto ("not quite at ease") ma non troppo: but not too much: Comes after other terms; e.g. allegro ma non troppo ("not too joyful") Meno: less: Comes before other terms, such as meno mosso ("less moved/agitated") Subito: suddenly, quickly: Comes before or after other terms; e.g. subito fortissimo ...
In popular music genres such as disco, house music and electronic dance music, beatmatching is a technique that DJs use that involves speeding up or slowing down a record (or CDJ player, a speed-adjustable CD player for DJ use) to match the tempo of a previous or subsequent track, so both can be seamlessly mixed.
The composer and music theorist Johann Kirnberger (1776) formalized and refined this idea by instructing the performer to consider the following details in combination when determining the best performance tempo of a piece: the tempo giusto of the meter, the tempo term (Allegro, Adagio, etc., if there is one, at the start of the piece), the ...
Movement 1: Vivace (in A major) Movement 2: Largo e dolce (in A minor, ending with a half cadence) Movement 3: Allegro (in A major) Unusually, the second movement is written in the parallel minor (A minor), rather than the relative minor (F-sharp minor) or another closely related key. [1] [failed verification]
Andante – Allegro vivace; Adagio – Tempo d'andante – Allegro vivace; This short, almost enigmatic work demonstrates in a concentrated form how Beethoven was ready to challenge and even subvert the sonata structures he inherited from composers such as Haydn and Mozart. Its overall structure is very similar to the contemporary piano sonata ...
The composition is in four movements: . Allegro; Scherzo: Allegro vivace; Adagio; Rondo: Allegro ma non troppo; Hagels points out in his liner notes that, while using the instrumentation and key of Beethoven's Op. 11 Trio, the structure of Ries's Op. 28 Trio makes use of a four movement plan similar to the older composers Op.1 Piano Trios or the Op. 9 String Trios. [2]
After the Adagio introduction, the quartet breaks into a tumultuous Allegro Vivace in Sonata form in A minor. "You will hear its notes resound in the first and last movements, and sense its feeling in all four" wrote Mendelssohn to a friend. [7]