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"Get By" is a song by American hip hop recording artist Talib Kweli. It was released on March 11, 2003, as the third single from his debut studio album Quality (2002). ). Produced by Kanye West, the hip hop track samples "Sinnerman" as performed by Nina Simone and features background vocals from Abby Dobson, Chinua Hawk, Kendra Ross, Vernetta Bobien, and William "Na
"Get Back Up" is a song by Christian musician tobyMac from his album, Tonight. [1] It was released on January 26, 2010, on iTunes. [2] The song charted at No. 1 on the Billboard Hot Christian Songs, becoming his third No. 1 on the chart.
[7] [8] Hipco music was becoming popular in 2004 and still is the most popular music genre of Liberia, "serving as the medium through which rappers and singers speak against societal ills, including injustice and corruption and also with an infusion of enticing lyrics for pleasure."
21 Songs From the 1990s That Feel Like They Came Out Yesterday ... 2025 at 3:40 PM. 21 Songs From the 1990s That Sound Great as Ever ... and this classic earworm will live rent-free forever in our ...
Jesus Freak Hideout's Roger Gelwicks wrote the album "is the natural follow-up for Sidewalk Prophets, though it could, and should, have been much more." [ 4 ] Gelwick touched on "Sidewalk Prophets' simplicity is a little hard to argue with, but most tracks just graze the surface of what the quintet is truly capable of achieving.
Rebecca described "My Hope" as "a worship song that points to Jesus as the Hope for us all." [12] The album was chiefly produced by Matt Bronleewe, who produced eight out of the thirteen tracks, including "Reborn", "Don't Worry", and "For the Love of God". Frequent Rebecca St. James collaborator Tedd T. produced the songs "Wait for Me" and ...
The album is perfectly balanced with the heaviest songs being offset perfectly by lighter fair that never makes the album hard to listen too in its entirety. The only real fault of the album, other than Todd Agnew's voice may not be tolerable for some, but the album is also on the verge of being too short." [4]
Originally the album would contain more spoken tracks than the one used for the introduction for "Jesus Saves". This track was a reworking of the song "DT Jesus" after Atlantic Records executives did not like the original version, and was recorded along with "Can You Hear Me Now" with only Jon and Criss Oliva in the studio. [1]