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"Hey Diddle Diddle" (also "Hi Diddle Diddle", "The Cat and the Fiddle", or "The Cow Jumped Over the Moon") is an English nursery rhyme. It has a Roud Folk Song Index number of 19478. [ 1 ]
We’ve long been told to count sheep to nod off to sleep. Where in the world did this adage come from, and more importantly, does it work?
An early reference to counting sheep as a means of attaining sleep can be found in Illustrations of Political Economy by Harriet Martineau, from 1832: "It was a sight of monotony to behold one sheep after another follow the adventurous one, each in turn placing its fore-feet on the breach in the fence, bringing up its hind legs after it, looking around for an instant from the summit, and then ...
The melody in this format was first copyrighted in 1835 by Boston music publisher Charles Bradlee. Alouette: Canada: 1870 [15] Mentiond in "A Pocket Song Book for the Use of Students and Graduates of McGill Colle". Baa, Baa, Black Sheep: Great Britain 1744 [16] First mentioned in Tommy Thumb's Pretty Song Book. Baloo Baleerie 'The Bressay ...
Lullaby by François Nicholas Riss A lullaby (/ ˈ l ʌ l ə b aɪ /), or a cradle song, is a soothing song or piece of music that is usually played for (or sung to) children (for adults see music and sleep). The purposes of lullabies vary. In some societies, they are used to pass down cultural knowledge or tradition.
"Hush-a-bye baby" in The Baby's Opera, A book of old Rhymes and The Music by the Earliest Masters, ca. 1877. The rhyme is generally sung to one of two tunes. The only one mentioned by the Opies in The Oxford Book of Nursery Rhymes (1951) is a variant of Henry Purcell's 1686 quickstep Lillibullero, [2] but others were once popular in North America.
It has been argued [by whom?] that Little Boy Blue was intended to represent Cardinal Wolsey, who was the son of an Ipswich butcher, who may have acted as a hayward to his father's livestock, but there is no corroborative evidence to support this assertion. [2]
Wiegenlied" ("Lullaby"; "Cradle Song"), Op. 49, No. 4, is a lied for voice and piano by Johannes Brahms which was first published in 1868. It is one of the composer's most famous pieces. It is one of the composer's most famous pieces.