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Fujinon XC 16-50mm f/3.5-5.6 OIS: This lens is a consumer-grade standard zoom, covering wide angle to short telephoto, equivalent to 24–76 mm on a full frame camera. The lens is the 'kit' lens for the X-M1 camera, and has a lower end build quality than the other Fujinon lenses, while maintaining good optical quality.
1/2.3", 1/1.7" 31 mm Bayonet Photography (Digital) Pentax K: 45.46 mm 35 mm and APS-C: 44 mm Bayonet Photography Used also by Ricoh, Chinon, Agfa, Vivitar and KMZ Zenit cameras Leitz Visoflex I: 91.3 mm 35 mm: M39: 26 TPI: Screw Photography Leitz Visoflex II/III: 67.8 mm 35 mm: 44 mm Bayonet (Leica M) Photography Leica M: 27.80 mm 35 mm: 44 mm ...
Brand Ref. Model Intro. Focal Length Aperture Opt. Stab. Wgt Filter Size ⌀ Len. Min Focus Magnification Wide Angle Tele photo ; Min Max Max Min Max Min
Image stabilization is a technique used to reduce image blur caused by the camera not being held steady. There are two kinds of image stabilization used in SLR and DSLR cameras and their lenses: In-body image stabilization is implemented by moving the image sensor in an attempt to counteract the sensed motion of the camera.
In late 2019 Nikon announced their first Z-mount camera with an APS-C sensor, the Nikon Z50. In July 2020 the entry-level full-frame Z5 was introduced. In October 2020, Nikon announced the Nikon Z6II and Nikon Z7II , which succeed the Z6 and Z7, respectively.
The lens designed for the Zenit-7 camera was marked Helios-44-7. Due to the special aperture drive system (similar to Nikon SLR film cameras), it could only be installed on these cameras, it had a single-layer coating and an M42 × 1 mount. Helios-44D served as standard for the Zenit-D camera and had a bayonet mount to the camera.
[10] [11] Digital images were stored on a tethered hard drive and processed for histogram feedback to the user. This camera was created for the U.S. government, and was followed by several other models intended for government use and eventually Kodak DCS, a commercial DSLR series launched in 1991. [12] [13] [14]
An entry-level camera, exposure mode was program AE only, with a high-speed program option, no Creative Expansion Card support. An even more basic Maxxum, this camera was basically for the point-and-shoot user that wanted a system SLR camera with interchangeable lenses and more powerful flashes, but did not want the features on, or did not want to pay for the 5000i, 7000i, 8000i cameras.