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Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well.
Once the most rigorous phase of Neoclassicism was over and European political stability had been restored to some degree after the Revolution and the final failure of Napoleon Bonaparte, in the 1830s rococo art returned to the scene through the literature of Gérard de Nerval, Théophile Gautier, and other authors, disillusioned with the ...
Compared with the 17th century Baroque, Rococo implies a lighter and more playful decorative art; the nude female is frequently featured; chinoiserie is also fashionable. Some of the artists that are most often grouped as "Rococo" are listed below. See as well Régence, Louis XV of France, Palace of Versailles. Antoine Watteau (1684–1721) painter
This is a chronological list of periods in Western art history. ... Baroque – 1600 – 1730, ... International Typographic Style – 1950s, ...
Rococo, also known as Late Baroque, is the final expression of the Baroque movement that began in France in the 1730s and characterized by a cheerful lightness and intimacy of tone, and an elegant playfulness in erotic light poetry and principally small literary forms.
As opposed to Renaissance art, which usually showed the moment before an event took place, Baroque artists chose the most dramatic point, the moment when the action was occurring: Michelangelo, working in the High Renaissance, shows his David composed and still before he battles Goliath; Bernini's Baroque David is caught in the act of hurling ...
A 17th-century Baroque movement in the Spanish literature, a similar to the Marinism [13] [14] Francisco de Quevedo, Baltasar Gracián: Culteranismo: Another 17th-century Spanish Baroque movement, in contrast to Conceptismo, characterized by an ornamental, ostentatious vocabulary and highly latinal syntax [15] [16]