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Artistic Dress was a fashion movement in the second half of the nineteenth century that rejected highly structured and heavily trimmed Victorian trends in favour of beautiful materials and simplicity of design. It arguably developed in Britain in the early 1850s, influenced by artistic circles such as the Pre-Raphaelites, and Dress Reform ...
The style spread as an "anti-fashion" called Artistic dress in the 1860s in literary and artistic circles, died back in the 1870s, and reemerged as Aesthetic dress in the 1880s, where two of the main proponents were the writer Oscar Wilde and his wife Constance, both of whom gave lectures on the subject. In 1881 The Rational Dress Society was ...
Dress maker costume designer businesswoman. Spouse. John Trivett Nettleship. Children. Ida, Ethel, and Ursula Nettleship. Ada Nettleship (born Adaline Cort Hinton; 1856 – 19 December 1932) was a British dressmaker and costume designer known for working at the forefront of the Aesthetic dress style and the rational dress movement .
Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, [1] the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes.
Dresses tended toward what Thomas called a "Victorian gothic" look. [22] There were several tailored ensembles featuring frock coats and trousers, which author Judith Watt found reminiscent of dandies from the British Regency era. [30] [31] The dark aesthetic reminded author Katherine Gleason of the main character in the 1990 film Edward ...
During the early 1920s, most men's dress shirts had, instead of a collar, a narrow neckband with a buttonhole in both the front and back. By the mid-1920s, however, many men preferred shirts with attached collars, which were softer and more comfortable than rigid, detachable collars. [24] Men's hats.