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Also covered by the term is the visual art of the Celtic Revival (on the whole more notable for literature) from the 18th century to the modern era, which began as a conscious effort by Modern Celts, mostly in the British Isles, to express self-identification and nationalism, and became popular well beyond the Celtic nations, and whose style is ...
Cernunnos on the Gundestrup cauldron (plate A). He sits cross-legged, wielding a torc in one hand and a ram-horned serpent in the other. Cernunnos is a Celtic stag god. His name is only certainly attested once, on the 1st-century Pillar of the Boatmen from Paris, where it is associated with an image of an aged, antlered figure with torcs around his horns.
Enamel was a Celtic speciality, and reflects the use of red Mediterranean coral inlays in other British Celtic artefacts, such as the Witham Shield, and here may perhaps be considered as an imitation of imported coral, though the use of enamel allows a more elaborate design. Some scholars have read a reversible human face into the decoration at ...
For many years, some scholars have interpreted the cauldron's images in terms of the Celtic pantheon, and Celtic mythology as it is presented in much later literature in Celtic languages from the British Isles. Others regard the latter interpretations with great suspicion. [31]
The Celtic nations or Celtic countries [1] are a cultural area and collection of geographical regions in Northwestern Europe where the Celtic languages and cultural traits have survived. [2] The term nation is used in its original sense to mean a people who share a common identity and culture and are identified with a traditional territory.
A Celtic cross symbol. The Celtic cross is a form of Christian cross featuring a nimbus or ring that emerged in Ireland, France and Great Britain in the Early Middle Ages.A type of ringed cross, it became widespread through its use in the stone high crosses erected across the islands, especially in regions evangelised by Irish missionaries, from the ninth through the 12th centuries.
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Pre-Roman Celtic art produced few images of deities, and these are hard to identify, lacking inscriptions, but in the post-conquest period many more images were made, some with inscriptions naming the deity. Most of the specific information we have therefore comes from Latin writers and the archaeology of the post-conquest period.