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The rare plagal half cadence involves a I–IV progression. Like an authentic cadence (V–I), the plagal half cadence involves an ascending fourth (or, by inversion, a descending fifth). [17] The plagal half cadence is a weak cadence, ordinarily at the ending of an antecedent phrase, after which a consequent phrase commences.
Following is a list of popular music songs which feature a chord progression commonly known as Andalusian cadences.. Items in the list are sorted alphabetically by the band or artist's name.
Plagal may refer to: Plagal cadence (in music) Plagal mode (in music) Pro-Life Alliance of Gays and Lesbians (PLAGAL) This page was last edited on ...
The French augmented sixth chord and the Phrygian cadence onto F♯ are omitted. Instead there is a plagal cadence (94–95) into F♯ (it is suggested to be a minor key, although any qualifying third is absent). The F♯ pedal in 95–112 quickly loses any tonic stability which it may have acquired after this plagal cadence.
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In this ordering, the progression ends with a double plagal cadence in the key of the dominant (in the Mixolydian mode) and could also be respelled ii–bVII–IV–I, opening with a backdoor turnaround. The chord progression is also used in the form IV–I–V–vi, as in songs such as "Umbrella" by Rihanna [5] and "Down" by Jay Sean. [6]
This is a plagal cadence featuring a dominant seventh tonic (I or V/IV) chord. However, Baker cites a turnaround containing "How Dry I Am" as the "absolutely most commonly used blues turnaround". [5] Fischer describes the turnaround as the last two measures of the blues form, or I 7 and V 7, with variations including I 7 –IV 7 –I 7 –V 7. [6]
I have a question concerning the plagal cadence section. Apparently, a minor plagal cadence is known as the "backdoor progression". However, my definition of a minor plagal cadence is the use of the minor iv chord in a major key instead of the regular IV chord. Heavenlycheese 00:09, 14 September 2011 (UTC)Ed . What is your question?