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Studio publicity photo of Hitchcock in 1955. Alfred Hitchcock (1899–1980) [1] was an English director and filmmaker. Popularly known as the "Master of Suspense" for his use of innovative film techniques in thrillers, [1] [2] Hitchcock started his career in the British film industry as a title designer and art director for a number of silent films during the early 1920s.
A Hitchcock film is an organism, with the whole implied in every detail and every detail related to the whole." [241] Hitchcock's film production career evolved from small-scale silent films to financially significant sound films. Hitchcock remarked that he was influenced by early filmmakers George Méliès, D. W. Griffith and Alice Guy-Blaché ...
A number of Alfred Hitchcock's films have been remade, with official remakes of Murder! and The Man Who Knew Too Much being directed by Hitchcock himself. North by Northwest and Saboteur are also considered by some scholars to be unofficial remakes of Hitchcock's English espionage thriller The 39 Steps.
The Netflix dark comedy “Strangers,” inspired by the Alfred Hitchcock classic “Strangers On a Train,” has added a slew of new actors to its lineup: Austin Abrams (“Dash & Lily ...
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Alfred Hitchcock's cameo appearance occurs 11 minutes into the film. He is seen carrying a double bass as he climbs onto a train. Hitchcock said that correct casting saved him "a reel of storytelling time", since audiences would sense qualities in the actors that did not have to be spelled out. [5]
The film was released in select theatres on 16 October 2020, and digitally on Netflix five days later. It received negative reviews from critics, who compared the film unfavourably to the 1940 version directed by Alfred Hitchcock.
Rebecca won the Film Daily year-end poll of 546 critics nationwide naming the best films of 1940. [22] Rebecca mosaic commissioned in 2001 in the London Underground. Rebecca was the opening film at the 1st Berlin International Film Festival in 1951. [23] The Guardian called it "one of Hitchcock's creepiest, most oppressive films". [24]