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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Czerny, Carl; Griepenkerl, Friedrich Konrad [in German]; Roitzsch, Friedrich August, eds. (1880). "20 leichte Clavierstücke nebst einem Liede (Aus dem Clavierbuche der Anna Magdalena Bach)" [Twenty easy keyboard pieces, and a song (from the keyboard-booklets of Anna Magdalena Bach)].
An example: Dieterich Buxtehude's O dulcis Jesu (BuxWV 83) in full score using tablature Keyboard tablature is a form of musical notation for keyboard instruments.Widely used in some parts of Europe from the 15th century, it co-existed with, and was eventually replaced by modern staff notation in the 18th century.
The piece is known all over the world. According to an article by Hiromi Oketani in the Osaka Shoin Women's College Annual for 1994, [2] it is known in Japan as "Neko Funjatta" (ねこふんじゃった, I Stepped on the Cat), in Spain as "La Chocolatera", in the Netherlands as "Vlooienmars" (Flea March), in French-speaking countries as "Valse des puces" (Flea Waltz), in Russia as Russian ...
Piano Concerto, op. 18, with baritone and male choir in last movement (1938) Ferruccio Busoni. Piano Concerto in D, op. 17, for piano and string orchestra (1878) Piano Concerto in C, op. 39 (1902-4), with male chorus; Indian Fantasy, op.44, for piano and orchestra; Konzert-Fantasie, op.32 (1888–89), for piano and orchestra
There is a separate history of music ciphers utilizing music notation to encode messages for reasons of espionage or personal security that involved encryption and/or steganography. Because of the multitudinous ways in which notes and letters can be related, detecting hidden ciphers in music and proving accurate decipherment can be difficult.