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These are often referred to in the literature as "2+2" and "2+3", respectively (the numbers referring to second and third person as appropriate). Some notable linguists, such as Bernard Comrie , [ 6 ] have attested that the distinction is extant in spoken natural languages, while others, such as John Henderson, [ 7 ] maintain that a clusivity ...
In linguistics, grammatical person is the grammatical distinction between deictic references to participant(s) in an event; typically, the distinction is between the speaker (first person), the addressee (second person), and others (third person).
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
1st person singular I me my/mine [# 1] mine plural we us our ours 2nd person singular informal thou thee thy/thine [# 1] thine plural informal ye you your yours formal you 3rd person singular he/she/it him/her/it his/her/his (it) [# 2] his/hers/his [# 2] plural they them their theirs
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
Pale Fire by Vladimir Nabokov features literature professor John Shade, Charles Kinbote, a neighbor and colleague of Shade's and Charles the Beloved, king of Zembla. Kinbote is the ultimate unreliable commentator. Second-person narration: A text written in the style of a direct address, in the second-person. Bright Lights, Big City by Jay ...
In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...
alternative meanings of ambiguous morpheme, e.g. 2/3 for a morpheme that may be either 2nd or 3rd person, or DAT/GEN for a suffix used for both dative and genitive. [ 27 ] [ 6 ] [optional in place of period] a morpheme indicated by or affected by mutation, as in Väter-n (father\ PL-DAT.PL ) "to (our) fathers" (singular form Vater )