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Michelangelo became acquainted with Vittoria Colonna around 1538. [2] Their lively friendship gained Michelangelo admission to her social circles, and he became acquainted with issues of church reform. For Colonna, Michelangelo executed several paintings in the fifth decade of the sixteenth century.
According to Giorgio Vasari, shortly after the installation of his Pietà, Michelangelo overheard someone remark (or asked visitors about the sculptor) that it was the work of another sculptor, Cristoforo Solari, whereupon Michelangelo signed the sculpture. [11] Michelangelo carved the words on the sash running across Mary's chest.
Michelangelo's Pietà in Saint Peter's Basilica, 1498–1499. The Pietà (Italian pronunciation:; meaning "pity", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the dead body of Jesus Christ after his Descent from the Cross. It is most often found in sculpture.
'La_Pieta',_possibly_by_Michelangelo_1545.jpg (320 × 450 pixels, file size: 36 KB, MIME type: image/jpeg) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Kimbell Art Museum, purchased from Sotheby's auction, Catalogue of Old Masters sale (Lot No. 69), 9 July 2008 by Adam Williams Fine Art, New York, as "Workshop of Domenico Ghirlandaio". Subsequently purchased by the Kimbell Art Museum, Fort Worth, Texas and attributed to Michelangelo. [10] [11] Madonna and Child with Saint John and Angels
Robinson Sale, London, 13 May 1902, no. 206, bought by Messrs. Agnew & Sons for Isabella Stewart Gardner: Inscriptions: watermark: a ladder in a circle with star (Briquet 5924) References: De Tolnay, Charles (1953). "Michelangelo's Pieta Composition for Vittoria Colonna". Record of the Art Museum, Princeton University 12 (2): 44–62. doi:10. ...