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Jesus our brother, strong and good, Was humbly born in a stable rude, And the friendly beasts around Him stood, Jesus our brother, strong and good. "I," said the donkey, shaggy and brown, "I carried His mother up hill and down I carried her safely to Bethlehem town; I," said the donkey, shaggy and brown. "I," said the cow all white and red,
References to this class are relatively few. The "creeping things" [5] include not only reptiles, but all short-legged animals or insects which seem to crawl rather than to walk, such as moles, lizards, etc. From a religious viewpoint, all these animals are divided into two classes, clean and unclean, according to whether they can, or cannot ...
The first appearances of fish symbols as adopted in Christian art and literature date to the 2nd century AD. Some modern fish symbol variations, called the Jesus fish, contain the English word Jesus in the center, or are empty entirely. [2] Some Christian Anarchists use an ichthys combined with an anarchist Circle-A as a symbol of their beliefs ...
The Night the Animals Talked is an animated children's Christmas television special, first shown on ABC television on December 9, 1970. It was repeated four times on ABC, in 1971, 1972, 1973 and 1977. [1] The American/Italian co-production was based on a legend that all of the animals could talk at midnight, on the night that Jesus was born. [2]
These animals may have originally been seen as representing the highest forms of the various types of animals: man, as king of creation, as the image of the creator; the lion, as king of beasts of prey (meat-eating); the ox, as king of domesticated animals (grass-eating); the eagle, as king of birds.
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Animals of the Bible is a book illustrated by Dorothy P. Lathrop with text compiled by Helen Dean Fish from the Bible. Released by J. B. Lippincott Company , it was the first recipient of the Caldecott Medal for illustration in 1938.
It affords an easy medium of expressing or symbolizing a virtue or a vice, by means of the virtue or vice usually attributed to the animal represented. Animal forms were traditional elements of decoration. Medieval designers returned to the direct study of nature, including man, the lower animals, and the humblest plants.