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Pages in category "Fictional characters with alter egos" The following 54 pages are in this category, out of 54 total. This list may not reflect recent changes. A.
The term is commonly used in literature analysis and comparison to describe characters who are psychologically identical. This category is for alter egos of real people. For alter egos of fictional characters, see: Category:Fictional characters with alter egos
A distinct meaning of alter ego is found in the literary analysis used when referring to fictional literature and other narrative forms, describing a key character in a story who is perceived to be intentionally representative of the work's author (or creator), by oblique similarities, in terms of psychology, behavior speech, or thoughts, often ...
Lublin also discovered that the female alter ego Duchamp used after 1920, Rose Sélavy, matched advertising in a Buenos Aires newspaper that he was known to have read. When she left, she stole the dilapidated letter box from Duchamp's former apartment and exhibited it later, recalling his Readymade works. [ 9 ]
The Book of Dolores is a book of photographs and paintings exploring femininity written by William T. Vollmann and published in 2013 by powerHouse Books.Vollmann began seriously cross-dressing in 2008 and developed a female alter ego named Dolores.
Quailman is the alter ego of Doug Funnie in the animated TV sitcom Doug. Quiverwing Quack is the alter ego of Gosalyn Mallard in the Disney animated series Darkwing Duck. Ran is the alter ego of Sunao from the anime novel Sukisho. Duane Dibbley is the alter ego of Cat and Ace Rimmer is the alter ego of Rimmer in the sci-fi TV show Red Dwarf.
Her fictional oeuvre, which includes The Old Man and the Wolves, Murder in Byzantium, and Possessions, while often allegorical, also approaches the autobiographical in some passages, especially with one of the protagonists of Possessions, Stephanie Delacour—a French journalist—who can be seen as Kristeva's alter ego.
This series of essays embraced traditional womanhood. Martineau dedicated it to Elizabeth Barrett, as it was "an outpouring of feeling to an idealized female alter ego, both professional writer and professional invalid- and utterly unlike the women in her own family". Written during a kind of public break from her mother, this book was ...