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  2. Worm's-eye view - Wikipedia

    en.wikipedia.org/wiki/Worm's-eye_view

    A worm's-eye view is a description of the view of a scene from below that a worm might have if it could see. It is the opposite of a bird's-eye view. [1]It can give the impression that an object is tall and strong while the viewer is childlike or powerless.

  3. Mannerism - Wikipedia

    en.wikipedia.org/wiki/Mannerism

    In Parmigianino's Madonna with the Long Neck (1534–1540), Mannerism makes itself known by elongated proportions, highly stylized poses, and lack of clear perspective. Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the ...

  4. Gesture drawing - Wikipedia

    en.wikipedia.org/wiki/Gesture_drawing

    For some artists, there is a calisthenic logic: just as an athlete warms up before exercising or participating in sports, artists use gesture drawing to prepare themselves mentally and physically for a figure drawing session. The fast pace of gesture poses helps an artist "loosen up" to avoid a stiff drawing style.

  5. Perspective (graphical) - Wikipedia

    en.wikipedia.org/wiki/Perspective_(graphical)

    Artists may choose to "correct" perspective distortions, for example by drawing all spheres as perfect circles, or by drawing figures as if centered on the direction of view. In practice, unless the viewer observes the image from an extreme angle, like standing far to the side of a painting, the perspective normally looks more or less correct.

  6. Figure drawing - Wikipedia

    en.wikipedia.org/wiki/Figure_drawing

    A figure drawing is a drawing of the human form in any of its various shapes and postures, using any of the drawing media. The term can also refer to the act of producing such a drawing . The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.

  7. Themes in Italian Renaissance painting - Wikipedia

    en.wikipedia.org/wiki/Themes_in_Italian...

    Primarily through the depiction of architecture, Renaissance artists were able to practice the art of three-dimensional illusion using linear perspective, which gave their works a greater sense of depth. [3] The pictures in the gallery below show the development of linear perspective in buildings and cityscapes.