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Here's what we do know for sure: until they were collected by early catalogers Giambattista Basile, Charles Perrault, and The Brothers Grimm, fairy tales were shared orally. And, a look at the sources cited in these first collections reveals that the tellers of these tales — at least during the Grimms' heydey — were women.
The first collectors to attempt to preserve not only the plot and characters of the tale, but also the style in which they were told, was the Brothers Grimm, collecting German fairy tales; ironically, this meant although their first edition (1812 & 1815) [42] remains a treasure for folklorists, they rewrote the tales in later editions to make ...
Folklore, as a field of study, further developed among 19th-century European scholars, who were contrasting tradition with the newly developing modernity. Its focus was the oral folklore of the rural peasant populations, which were considered as residues and survivals of the past that continued to exist within the lower strata of society. [18]
A traditional Kyrgyz manaschi performing part of the Epic of Manas at a yurt camp in Karakol. Oral tradition, or oral lore, is a form of human communication in which knowledge, art, ideas and culture are received, preserved, and transmitted orally from one generation to another.
The epic laws of folk narrative were a series of principles identified by Axel Olrik for understanding the structure and form of folktales, and have a foundational significance in European folklore studies. [1]
Juho Nätti (1890–1964), known as Nätti-Jussi, was a Finnish lumberjack known for telling tall tales; his stories have also circulated as folk tales and been collected in books. The Life of Gargantua and of Pantagruel (16th century) by the French writer François Rabelais told the tale of two giants; father and son.
Native American cultures are rich in myths and legends that explain natural phenomena and the relationship between humans and the spirit world. According to Barre Toelken, feathers, beadwork, dance steps and music, the events in a story, the shape of a dwelling, or items of traditional food can be viewed as icons of cultural meaning.
Traditional stories, or stories about traditions, differ from both fiction and nonfiction in that the importance of transmitting the story's worldview is generally understood to transcend an immediate need to establish its categorization as imaginary or factual.