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Fairy tales are stories that range from those in folklore to more modern stories defined as literary fairy tales. Despite subtle differences in the categorizing of fairy tales, folklore, fables, myths, and legends, a modern definition of the literary fairy tale, as provided by Jens Tismar's monograph in German, [1] is a story that differs "from an oral folk tale" in that it is written by "a ...
A German folk tale, Hansel and Gretel; illustration by Arthur Rackham, 1909. Folklore is the body of expressive culture shared by a particular group of people, culture or subculture. [1] This includes oral traditions such as tales, myths, legends, proverbs, poems, jokes, and other oral traditions.
Native American cultures are rich in myths and legends that explain natural phenomena and the relationship between humans and the spirit world. According to Barre Toelken, feathers, beadwork, dance steps and music, the events in a story, the shape of a dwelling, or items of traditional food can be viewed as icons of cultural meaning.
One Thousand and One Nights, also known as "the Arabian Nights", is a collection of Middle Eastern folktales; The Daredevils of Sassoun, an Armenian folk epic; The Knight in the Panther's Skin, a Georgian epic poem; Epic of Gilgamesh, the oldest epic of the world from Mesopotamia; Enūma Eliš, The Babylonian creation epic from Mesopotamian ...
An archetypical example is the simple peasant successfully put to the test by a King who wishes a suitable suitor for his daughter. In this fairy tale, no brave and valiant prince or knight succeeds. In this fairy tale, no brave and valiant prince or knight succeeds.
This is a list of folk heroes, a type of hero – real, fictional or mythological – with their name, personality and deeds embedded in the popular consciousness of a people, mentioned frequently in folk songs, folk tales and other folklore; and with modern trope status in literature, art and films.
They use their wits to resolve conflict and achieve their goals. Two examples of African-American tricksters are Br’er Rabbit and Anansi. [13] Tricksters in African-American folktales take a comedic approach and contain an underlying theme of inequality, compared to other folktales that label their tricksters as menaces. [13]
Examples are the Cerne Abbas Giant, the Uffington White Horse, and the Long Man of Wilmington and are the focus for folktales and beliefs. [ 42 ] The Green Man is a description originating in 1939 which describes the engraved sculpture of a face with leaves growing from it in English architecture.