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This Spanish prologue is specifically characterized by praise and laudatory language for various people and places, often the royal court for example, to introduce the full-length play. The loa was also popular with Latin American or "New World" playwrights during the 17th and 18th centuries through Spanish colonization .
Yerma [ˈɟʝeɾma] is a play by the Spanish dramatist Federico García Lorca. It was written in 1934 and first performed that same year. García Lorca describes the play as "a tragic poem." The play tells the story of a childless woman living in rural Spain. Her desperate desire for motherhood becomes an obsession that eventually drives her to ...
In the Spanish Golden Age (Siglo de Oro) tradition, a comedia is a three-act play combining dramatic and comic elements. The principal characters are noblemen (galanes; sg.: galán) and ladies (damas) who work out a plot involving love, jealousy, honor and sometimes also piety or patriotism.
In Spanish all secular plays were called comedias, which embraced three genres: tragedy, drama, and comedy itself. During the Spanish Golden Age, corrals became popular sites for theatrical presentations in the early 16th century when the theatre took on a special importance in the country. The performance was held in the afternoon and lasted ...
The earliest Spanish operas appeared in the mid-17th century, with libretti by such famous writers as Calderón de la Barca and Lope de Vega to music by such composers as Juan Hidalgo de Polanco. These early operas, however, failed to catch the imagination of the Spanish public.
It takes two to speak the language of drama: writer and receiver. This is why dramatic irony—which consists in giving the audience an item of information that at least one of the characters is unaware of—is a fundamental mechanism, omnipresent in all genres (tragedy, comedy, melodrama, suspense, thriller, etc.) and all types of narratives.
Calderón de la Barca, a key figure in the theatre of the Spanish Golden Age. Spanish Golden Age theatre refers to theatre in Spain roughly between 1590 and 1681. [1] Spain emerged as a European power after it was unified by the marriage of Ferdinand II of Aragon and Isabella I of Castile in 1469 and then claimed for Christianity at the Siege of Granada in 1492. [2]
Zarzuela (Spanish pronunciation: [θaɾˈθwela]) is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular songs, as well as dance.