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C-sharp minor is a minor scale based on C ... More examples of works in C-sharp minor include Rachmaninoff's Prelude in C-sharp minor (Op. 3, No. 2), ...
16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament: 17-tet scale on C. Play ⓘ — — — 17 — — 19 equal temperament: 19-tet scale on C. Play ⓘ — — — 19 — — 21 equal temperament: 21-tet scale on C. Play ⓘ — — — 21 — — Acoustic scale or Lydian dominant scale: Acoustic scale on C. Play ⓘ 1 2 3 ...
For example, A-minor is "Am" and D-sharp minor is "D ♯ m"). The small interval between equivalent notes, such as F-sharp and G-flat, is the Pythagorean comma . Minor scales start with , major scales start with .
the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♯ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
The tonic of the relative minor is the sixth scale degree of the major scale, while the tonic of the relative major is the third degree of the minor scale. [1] The minor key starts three semitones below its relative major; for example, A minor is three semitones below its relative, C major. Circle of fifths showing major and minor keys
Claude Debussy's Suite bergamasque does this: in the third movement "Clair de lune" the key shifts from D-flat major to D-flat minor (eight flats) for a few measures but the passage is notated in C-sharp minor (four sharps); the same happens in the final movement, "Passepied", in which a G-sharp major section is written as A-flat major.
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
The augmented scale, also known in jazz theory as the symmetrical augmented scale, [3] is so called because it can be thought of as an interlocking combination of two augmented triads an augmented second or minor third apart: C E G ♯ and E ♭ G B. It may also be called the "minor-third half-step scale", owing to the series of intervals ...