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Hard bop, an extension of bebop (or "bop") music that incorporates influences from rhythm and blues, gospel music, and blues, especially in the saxophone and piano playing, developed in the mid-1950s, partly in response to the vogue for cool jazz in the early 1950s. The hard bop style coalesced in 1953 and 1954, paralleling the rise of rhythm ...
Fans loved the smooth sounds of jazz and catchy doo-opp tunes of the 1950s. This list includes the biggest artists of the time, from Elvis to Nina Simone. 30 Best Songs That Are Classically 1950s
Since the 1950s, sacred and liturgical music has been performed and recorded by many jazz composers and musicians, [4] [1] combining black gospel music and jazz to produce "sacred jazz", similar in religious intent, but differing in gospel's lack of extended instrumental passages, instrumental improvisation, hymn-like structure, and concern ...
During the 1950s European popular music give way to the influence of American forms of music including jazz, swing and traditional pop, mediated through film and records. The significant change of the mid-1950s was the impact of American rock and roll , which provided a new model for performance and recording, based on a youth market.
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s [1] to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.
"The Preacher" was released as a single along with "Doodlin' "; the pairing "might be the first example of a jazz hit single going on to boost sales of its source album – or, as here, albums". [6] It was Silver's first hit. [7] The track helped trigger interest in hard bop among other musicians. [8]
5 – The 5th Newport Jazz Festival started in Newport, Rhode Island (July 5 – 7). [1]7 – Duke Ellington and his band performs at the Newport Jazz Festival. The album Ellington at Newport devises a landmark performance which is capped by an amazing tenor saxophone solo by Paul Gonsalves on "Diminuendo" and "Crescendo in Blue".
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.