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Hard bop, an extension of bebop (or "bop") music that incorporates influences from rhythm and blues, gospel music, and blues, especially in the saxophone and piano playing, developed in the mid-1950s, partly in response to the vogue for cool jazz in the early 1950s. The hard bop style coalesced in 1953 and 1954, paralleling the rise of rhythm ...
6 – Chelsea Quealey, American jazz trumpeter (died 1905). July. 6 – Fats Navarro, American jazz trumpet player (born 1923). 26 – Freddy Gardner, British saxophonist (born 1910). August. 1 – Alvin Burroughs, American swing jazz drummer (born 1911). September. 5 – Al Killian, American jazz trumpeter and occasional bandleader (born 1916).
Culture writer Martin Chilton defines the term "Great American Songbook" as follows: "Tunes of Broadway musical theatre, Hollywood movie musicals and Tin Pan Alley (the hub of songwriting that was the music publishers' row on New York's West 28th Street)". Chilton adds that these songs "became the core repertoire of jazz musicians" during the ...
Jazz music was revolutionized during the 1950s with the rise of bebop, hard bop, modal jazz, and cool jazz. Notable jazz artists of the time include Miles Davis, Dave Brubeck, Thelonious Monk, Bill Evans, John Coltrane, and Chet Baker. [9] The lush easy listening genre also enjoyed widespread popularity in the United States during the 1950s.
List of post-1950 jazz standards; 0–9. 502 Blues; A. An Affair to Remember (Our Love Affair) Airegin; Alice in Wonderland (song) All Blues; All My Tomorrows (song)
West Coast jazz refers to styles of jazz that developed in Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a subgenre of cool jazz, which consisted of a calmer style than bebop or hard bop. The music relied relatively more on composition and arrangement than on the individually improvised playing of other jazz ...
5 – The 5th Newport Jazz Festival started in Newport, Rhode Island (July 5 – 7). [1]7 – Duke Ellington and his band performs at the Newport Jazz Festival. The album Ellington at Newport devises a landmark performance which is capped by an amazing tenor saxophone solo by Paul Gonsalves on "Diminuendo" and "Crescendo in Blue".
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.