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8½ (1963) by Federico Fellini. The list of the A hundred Italian films to be saved (Italian: Cento film italiani da salvare) was created with the aim to report "100 films that have changed the collective memory of the country between 1942 and 1978". [1]
Since 2003 it has been the official media partner of the Venice Film Festival and since 2007 of the Rome Film Festival. In April 2019, RAI announced that this channel, along with Rai Premium, would shut down to make place for a new channel called Rai 6, with a female target. This sparked controversy and an online petition that quickly reached ...
Mediterraneo is a 1991 Italian war comedy-drama film directed by Gabriele Salvatores and written by Enzo Monteleone.The film is set during World War II and concerns a group of Italian soldiers who become stranded on an island of the Italian Dodecanese in the Aegean Sea, and are left behind by the war.
Italiano; עברית ... Italian film series (7 C, 9 P) Italian short films (4 C, 22 P) Italian silent films (6 C, 22 P) T. Italian television films (3 C, 33 P)
Perfect Strangers (Italian: Perfetti sconosciuti [2] [perˈfɛtti skonoʃˈʃuːti]) is a 2016 Italian comedy-drama film directed and co-written by Paolo Genovese. [3] [4] It was released in Italy on 11 February 2016.
Gomorrah won five awards at the 2008 European Film Awards, including Best European Film in Copenhagen on 6 December 2008. [16] The film received seven awards at L'accademia del Cinema Italiano 2009 David di Donatello Awards. [17] It was also nominated for the Grand Prix of the Belgian Syndicate of Cinema Critics.
The film was awarded the Golden Lion at the Venice Film Festival. One of Francesco Rosi's most famous films of denunciation is The Mattei Affair (1972), a rigorous documentary into the mysterious disappearance of Enrico Mattei, manager of Eni, a large Italian state group. The film won the Palme d'Or at the Cannes Film Festival.
Writing for Premiere magazine, critic Peter Debruge noted, "in the annals of Mediterranean island love stories, Respiro reflects the effortless charm of a film like Il Postino." Critic Desson Thomson of The Washington Post , however, felt "its long-winded denouement, in which Grazia runs away rather than be sent to an institution, doesn't bring ...