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Zita (c. 1212 – 27 April 1272), also known as Sitha or Citha, is an Italian saint, the patron saint of maids and domestic servants. She is often appealed to in order to help find lost keys . Zita entered domestic service at the age of 12, and served the same family for almost 50 years.
The Holy Face of Lucca (Italian: Volto Santo di Lucca) is an eight-foot-tall (2.4 m), ancient wooden carving of Jesus crucified in the cathedral of San Martino, Lucca, Italy. Medieval legends state that it was sculpted by Nicodemus who assisted St. Joseph of Arimathea in placing Christ in his tomb after the crucifixion. The same legends placed ...
On the right hand is the side chapel of St. Zita (c. 1212-1272), a popular saint in Lucca. Her intact incorrupt body, lying on a bed of brocade, is on display in a glass shrine. On the walls of the chapel are several canvasses from the 16th and 17th centuries depicting episodes from her life.
The latest image is a stark contrast to how He is portrayed in paintings and pictures who appears leaner with long flowy hair. Earlier this year a picture re-emerged that showed what Jesus might ...
Sacred Heart of Jesus (Batoni) Saint Anthony with the Christ Child (Murillo) Saint Christopher (after van Eyck) Saint Christopher Carrying the Christ Child; Saint Didacus of Alcalá Presenting Juan de Herrera's Son to Christ; Saint Francis Receiving the Stigmata (Giotto) Saint Francis with the Blood of Christ; Saint Joseph with the Christ Child
Nativity images became increasing popular in panel paintings in the 15th century, although on altarpieces the Holy Family often had to share the picture space with donor portraits. In Early Netherlandish painting the usual simple shed, little changed from Late Antiquity, developed into an elaborate ruined temple, initially Romanesque in style ...
A History of Ideas and Images in Italian Art, 1983, John Murray, London, ISBN 0-7195-3971-4; Hellemo, Geir. Adventus Domini: eschatological thought in 4th-century apses and catecheses. Brill; 1989. ISBN 978-90-04-08836-8. Schiller, Gertrud. Iconography of Christian Art, Vol. I, 1971 (English trans from German), Lund Humphries, London, ISBN 0 ...
Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...