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Kvasir. In Norse mythology, Kvasir (Old Norse: [ˈkwɑsez̠]) was a being born of the saliva of the Æsir and the Vanir, two groups of gods. Extremely wise, Kvasir traveled far and wide, teaching and spreading knowledge. This continued until the dwarfs Fjalar and Galar killed Kvasir and drained him of his blood.
When they left, the gods decided that it shouldn't be poured out, but rather kept as a symbol of their peace, and so from the contents they made a man; Kvasir. Kvasir is later murdered by dwarves, and from his blood the Mead of Poetry is made. [13] In chapter 6, poetic names for Njörðr are provided, including "descendant of Vanir or a Van".
Illustration by Jakob Sigurðsson, an 18th-century Icelandic artist. In Norse mythology, the Poetic Mead or Mead of Poetry, [a] also known as Mead of Suttungr, [b] is a mythical beverage that whoever "drinks becomes a skald or scholar" able to recite any information and solve any question. This myth was reported by Snorri Sturluson in ...
Mineral symbols are most commonly represented by three-lettered text symbols, although one-, two- and four-lettered symbols also exist. Four methods of nomenclature are used: [ 3 ][ 5 ] The initial letters of a name, for example: cyanotrichite: Cya and mitscherlichite: Mits. A combination considered characteristic of the mineral name, for ...
Suttungr put the dwarves on a rock about to be submerged, at which point they bargained for their life by offering him the mead of poetry. In Nordic mythology, Fjalar (Old Norse: Fjalarr [ˈfjɑlɑrː]) and his brother Galar (Old Norse: Galarr [ˈɡɑlɑrː]), were wicked dwarfs who killed Kvasir and turned his blood into the mead of poetry ...
Gardiner's sign list is a list of common Egyptian hieroglyphs compiled by Sir Alan Gardiner. It is considered a standard reference in the study of ancient Egyptian hieroglyphs. Gardiner lists only the common forms of Egyptian hieroglyphs, but he includes extensive subcategories, and also both vertical and horizontal forms for many hieroglyphs.
Gullveig (Old Norse: [ˈɡulːˌwɛiɣ]) is a female figure in Norse mythology associated with the legendary conflict between the Æsir and Vanir. In the poem Völuspá, she came to the hall of Odin (Hár) where she is speared by the Æsir, burnt three times, and yet thrice reborn.
Cuneiform is one of the earliest systems of writing, emerging in Sumer in the late fourth millennium BC.. Archaic versions of cuneiform writing, including the Ur III (and earlier, ED III cuneiform of literature such as the Barton Cylinder) are not included due to extreme complexity of arranging them consistently and unequivocally by the shape of their signs; [1] see Early Dynastic Cuneiform ...