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  2. Revealed: the results of the 2022 Sight and Sound Greatest Films...

    www.bfi.org.uk/news/revealed-results-2022-sight-sound-greatest-films-all-time-poll

    The winner of Sight and Sound magazine’s hugely anticipated and world-renowned Greatest Films of All Time Critics’ poll 2022 is Chantal Akerman’s Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). This is the first time a female filmmaker has taken the number one spot since the poll’s inception in 1952.

  3. The 50 best films of 2022 | Sight and Sound

    www.bfi.org.uk/sight-and-sound/polls/50-best-films-2022

    The best films of 2022. 50. The Worst Person in the World. Joachim Trier, Norway / France / Sweden / Denmark. The Worst Person in the World (2021) Renate Reinsve gives an effervescent performance as the bright but floundering Julie in Joachim Trier’s melodic rom-com.

  4. The best films of 2022 – all the votes | Sight and Sound

    www.bfi.org.uk/sight-and-sound/polls/best-films-2022-all-votes

    The 50 best films of 2022. From Iranian runaways to Indian revolutionaries, Tom Cruise’s flyer to Brazilian gasolinheiras – the 50 best films that more than 90 of our critics saw in cinemas, at festivals and online in 2022. ... Martin Scorsese on winning Sight and Sound’s best films of 2023 poll with Killers of the Flower Moon

  5. The Greatest Films of All Time | BFI

    www.bfi.org.uk/sight-and-sound/greatest-films-all-time

    In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed. The Sight and Sound poll is now a major bellwether of critical opinion on cinema and this year’s edition (its eighth) is the largest ever, with 1,639 participating critics, programmers, curators ...

  6. The 50 best films of 2021 | Sight and Sound

    www.bfi.org.uk/sight-and-sound/polls/50-best-films-2021

    36. Judas and the Black Messiah. Shaka King, US. Judas and the Black Messiah (2021) King’s excoriating drama of the FBI ’s assassination of Black Panther leader Fred Hampton gives us twin tragic figures in Daniel Kaluuya’s charismatic leader and LaKeith Stanfield’s squirrelly informer.

  7. Sight and Sound - BFI

    www.bfi.org.uk/sight-and-sound

    The new issue of Sight and Sound. On the cover: Payal Kapadia on identity and her brilliant film All We Imagine as Light Inside: David Lynch’s musings, Andrea Arnold on Bird, Ralph Fiennes and Edward Berger on Conclave, archive Isabelle Huppert and the latest edition of Black Film Bulletin. Get your copy.

  8. Directors’ 100 Greatest Films of All Time | BFI

    www.bfi.org.uk/sight-and-sound/directors-100-greatest-films-all-time

    Every decade since 1992, Sight and Sound has complemented its celebrated critics’ poll by formally sounding out the world’s leading directors on the ten films they believe to be the greatest of all time. Though it has always been global and inclusive in scope, the poll has expanded significantly each decade. In 1992, 101 directors voted; fast-forward to 2012, when 358 filmmakers took part ...

  9. And the winner is… Aftersun | Sight and Sound - BFI

    www.bfi.org.uk/sight-and-sound/features/best-films-2022-winner-aftersun

    Watch and discover. Sight and Sound. Features. And the winner is…. Aftersun. Charlotte Wells reflects on winning the Sight and Sound Best Films of 2022 poll with her debut feature, and the importance of naivety to her process. 20 December 2022. Aftersun (2022) By Charlotte Wells.

  10. The 50 best films of 2023 | Sight and Sound

    www.bfi.org.uk/sight-and-sound/polls/50-best-films-2023

    The Human Surge 3. Eduardo Williams, Argentina. The Human Surge 3 (2023) Cutting between groups of young friends in Sri Lanka, Taiwan and Peru, Argentinian director Eduardo Williams shoots the low-key interactions using an eight-lens VR camera, to disorienting but mesmerising effect.

  11. Sight and Sound: the November 2022 issue | Sight and Sound - BFI

    www.bfi.org.uk/sight-and-sound/news/sight-sound-november-2022-issue

    Sight and Sound November 2022. “Godard was a constantly changing point in a fixed world. That is, a world of fixed notions about cinema and how it should be properly made and accounted for, about the balance of power across the world, about everyday existence and how to define it, about our inner lives, about freedom, about existence, about ...