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Franz Liszt composed his Piano Concerto No. 1 in E ♭ major, S.124 over a 26-year period; the main themes date from 1830, while the final version is dated 1849. The concerto consists of four movements and lasts approximately 20 minutes. It premiered in Weimar on February 17, 1855, with Liszt at the piano and Hector Berlioz conducting.
For example, Liszt's second and third concertos are played without breaks between the different sections, Brahms's Piano Concerto No. 2 and Liszt's Piano Concerto No. 1 have 4 movements and Tchaikovsky's Piano Concerto No. 3 in E-flat major has only one (Allegro brillante).
Following Bartók's lines, in Liszt's Piano Sonata the "Andante sostenuto" in F-sharp minor was "of course" banal, the second subject "Cantando espressivo" in D major was sentimentalism, and the "Grandioso" theme was empty pomp. Liszt's Piano Concerto No. 1 in E-flat major was in most parts only empty brilliance and in other parts salon music ...
Piano Concerto No.1: pf orch E ♭ major 1835–56 Orchestral, piano arr. for 2pf as S.650 125 H 6 Piano Concerto No.2: pf orch A major 1849–61 Orchestral, piano based on S.524a; arr. for 2pf as S.651 125a Q 6 Piano Concerto [No.3] pf orch E ♭ major 1835–39 Orchestral, piano unfinished; performing version realized by Jay Rosenblatt 126i H ...
Watts' performance of the Liszt Piano Concerto No. 1 in E-flat at a Young People's Concert on January 12, 1963, was videotaped and nationally televised on CBS on January 15, 1963. [11] [12] Before the concert, Bernstein introduced Watts to the national television audience, stating that he "flipped" when he first heard Watts play. [9]
Piano Concerto No. 5 in E-flat, "Emperor", Op. 73 (1811) Arrangement 2 pianos 1878–79 S.657a/3 The Ruins of Athens, incidental music, Op. 113 (1811) Capriccio alla turca sur des motifs de Beethoven (Ruines d'Athènes) piano 1846 S.388 Uses same theme as the Fantasia, S.389 Fantasia on (themes from) 'The Ruins of Athens' piano and orchestra