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Eugène Ionesco (/ j oʊ ˈ n ɛ s k oʊ /; French: [øʒɛn jɔnɛsko]; born Eugen Ionescu, Romanian: [e.uˈdʒen joˈnesku] ⓘ; 26 November 1909 – 28 March 1994) was a Romanian-French playwright who wrote mostly in French, and was one of the foremost figures of the French avant-garde theatre in the 20th century.
Written during the Cold War, Ionesco's Macbett remoulds Shakespeare's Macbeth into a comic tale of ambition, corruption, cowardice and excess, creating a tragic farce which takes human folly to its wildest extremes. Innovations include a long conversation between the thanes of Glamiss and Candor, the characters of a lemonade seller and ...
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The play contains many of Ionesco's common themes, and the characters are typical of his plays. For example, the couple's interaction is similar in many ways to the interaction between the Old Man and the Old Woman in The Chairs; the conflicting background story of the corpse parallels the old couple's conflicting stories about their children.
First English edition (publ. Grove Press) The Killer (French: Tueur sans gages, sometimes translated The Killer without Reason or The Killer without Cause) is a play written by Eugène Ionesco in 1958. It is the first of Ionesco's Berenger plays, the others being Rhinocéros (1959), Exit the King (1962), and A Stroll in the Air (1963).
Rhinoceros (French: Rhinocéros) is a play by playwright Eugène Ionesco, written in 1959.The play was included in Martin Esslin's study of post-war avant-garde drama The Theatre of the Absurd, although scholars have also rejected this label as too interpretatively narrow.
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Jack, or The Submission (French: Jacques ou la soumission) is an absurdist play by Eugène Ionesco, the first of two about Jack and his family (the second being The Future is in Eggs), all of whom are named after Jack (Father Jack, Mother Jack, etc.).