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Popular microphone connector from 1930s to 1980s, originally manufactured by Amphenol. Amphenol sold this production to WPI Interconnect in early 1980s. The Amphenol 80-MC2M, which mates with the 80-PC2F, microphone connector was popular with American radio manufacturers (1950s to 1970s). The Amphenol 80-PC2F connector, that mates with the 80-MC2M
It allows the microphone to be positioned in the studio, on stage or on location without requiring a person to hold it. The most basic microphone stand is a straight stand . It uses a dome -shaped round metal base, or a tripod base, into which is threaded a post for mounting the microphone (most commonly a 5/8-27 threaded hole).
The FT-817 is based on a similar circuit architecture as Yaesu's FT-857 and FT-897, so it is a compromise transceiver and incorporates its features to its low price ($670.- at its 2001 release). [ 3 ]
A contact microphone is a form of microphone that senses audio vibrations through contact with solid objects. [1] Unlike normal air microphones, contact microphones are almost completely insensitive to air vibrations but transduce only structure-borne sound.
When concealing the mic is important, such as with film production, a smaller housing may be desirable. Sanken's CUB-01 boundary microphone has a 32 mm diameter and 12 mm height, which makes it easier to hide in TV and film field shooting and easier to reposition or temporarily mount in locations (e.g. taping it onto the inside ceiling of a car).
Astatic model D-104 microphone. In 1930, two amateur radio operators, Creed M. Chorpening, W8WR (later W8MJM) and F.H. Woodworth, W8AHW began experimenting with different types of microphones for their "ham" stations. Their mutual friend, Charles Semple, worked for Brush Development Company where he had been experimenting with Rochelle salt ...
The FT-1000MP is an amateur radio ("ham") transceiver series, built by Yaesu.It is an "all-mode" set, operating in the high frequency (HF) frequency range. The "MP" suffix in the name was an homage to Sako Hasegawa, the late founder of the company whose callsign was JA1MP, and who heavily influenced the design and feature set built into this radio.
Stability: less than 300 Hz drift in the first half-hour after 10 mins warmup. After that less than 100 Hz; Ant output impedance: 50 Ohms unbalanced nominal; Microphone output impedance: 500-600 Ohms nominal; Receive sensitivity: 150 kHz – 29.999 MHz continuous better than 0.3 microV for S/N 10 dB; Image rejection: better than -80 dB