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Allan Paivio's dual-coding theory is a basis of picture superiority effect. Paivio claims that pictures have advantages over words with regards to coding and retrieval of stored memory because pictures are coded more easily and can be retrieved from symbolic mode, while the dual coding process using words is more difficult for both coding and retrieval.
The power of imagery, iconic photographs, for instance, can potentially generate actions in a global scale. [7] Rhetorical choices carry great significance that surpass reinforcement of the written text. Each choice, be font, color, layout, represents a different message that author wants to portray for the audience. [8]
Imagery is visual symbolism, or figurative language that evokes a mental image or other kinds of sense impressions, especially in a literary work, but also in other activities such as. Imagery in literature can also be instrumental in conveying tone .
For example, after relating the story of how Simonides relied on remembered seating arrangements to call to mind the faces of recently deceased guests, Stephen M. Kosslyn remarks "[t]his insight led to the development of a technique the Greeks called the method of loci, which is a systematic way of improving one's memory by using imagery."
The expatriate American poet Ezra Pound in 1913; Pound collected poems from eleven poets in his first anthology of Imagist poetry, Des Imagistes, published in 1914.. Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language.
The Sigil of Lilith symbolizes the she-demon Lilith, who was demonized for rebelling against God's word. Monas Hieroglyphica: the works of John Dee: A symbol invented by John Dee, alchemist and astrologer at the court of Elizabeth I of England. It represents (from top to bottom): the moon; the sun; the elements; and fire. Ouroboros
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In the philosophy of mind, neuroscience, and cognitive science, a mental image is an experience that, on most occasions, significantly resembles the experience of "perceiving" some object, event, or scene but occurs when the relevant object, event, or scene is not actually present to the senses.