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The selvedges are either round, or 0.5–1 cm wide, in white cotton, with 2–3 ribs in figure-of-eight wrapping with supplemental threads. White cotton selvedges are the most common in Shirvan rugs. Shirvan rugs may have town, or village designs, but less densely ornamented as compared to Kuba rugs, and the drawing is more sparse.
The name 'soumak' may plausibly derive from the old town of Shemakja in Azerbaijan, once a major trading centre in the Eastern Caucasus. [1] Other theories include an etymology from Turkish 'sekmek', 'to skip up and down', meaning the process of weaving; or from any of about 35 species of flowering plant in the Anacardiaceae or sumac family, such as dyer's sumach (Cotinus coggygria), used to ...
A prayer rug is characterized by a niche at one end, representing the mihrab in every mosque. The mihrab represents not just the direction of prayer but also a gateway to the divine or a symbolic connection to the mosque architecture. [20] [21] Many rugs also show one or more mosque lamps, a reference to the Verse of Light in the Qur'an.
It measures 34.2 cm (13 in) high by 26.8 cm (11 in) wide overall, with the central panel 19 cm (7 in) high by 12.5 cm (5 in) wide by 2.5 cm (1 in) deep. It is made from elephant ivory, sculpted and mounted with precious stones (7 pearls survive). It carries no traces of polychromy, contrary to what certain historians have supposed.
Romanos Ivory depicting Christ blessing Romanos and Eudokia. Harbaville Triptych, 28 x 24 cm. The Romanos Ivory is a carved ivory relief panel from the Byzantine empire measuring 24.6 cm (at the highest) by 15.5 cm and 1.2 cm thick. [1] The panel is currently in the Cabinet des Médailles of Paris.
A few Roman caskets with ivory plaques with relief carvings have survived, and such objects were copied in the Early Middle Ages – the Franks Casket in bone is an Anglo-Saxon version from the 8th century, and the Veroli Casket a Byzantine one from about 1000. Both include mythological scenes, respectively Germanic and classical, that are ...
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