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"Unchained Melody" is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955), [ 1 ] hence the song title. Todd Duncan sang the vocals for the film soundtrack. [ 2 ]
Hy Zaret (born Hyman Harry Zaritsky; August 21, 1907 – July 2, 2007) was an American Tin Pan Alley [1] lyricist and composer who wrote the lyrics of the 1955 hit "Unchained Melody", one of the most-recorded songs of the 20th century. [2]
Also, with "Unchained Melody", Hamilton became the first solo artist to deliver a top-ten pop hit for Epic. [4] Hamilton was the singer who inspired Sam Cooke, then a gospel music star, to switch over to secular music. Hamilton was also the one to whom Cooke first submitted his early pop-song compositions. [28]
This song has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers in 1965. [1] Over 1,500 recordings of "Unchained Melody" have been made by more than 670 artists, in multiple languages. [ 2 ]
Footage of Presley's 1977 "Unchained Melody" performance has been viewed millions of times via YouTube, for example. "Somebody is going to know exactly how he placed his foot, how he placed his ...
According to music-publishing watchdog Broadcast Music, Inc., "You've Lost That Lovin' Feelin'" is the most-played song in the history of American radio. [15] They recorded other songs such as "Unchained Melody" with Philles Records, as well. Medley, who had produced the duo before they signed with Spector and Philles, was the actual producer ...
But Vito & the Salutations became best known for a surprise million-selling hit a year later, in the summer of 1963: they took "Unchained Melody," a 1955 hit ballad by Al Hibbler that they heard on the car radio, as they drove to perform at a concert, [3] and transformed it into an up-tempo, doo-wop song. "Unchained Melody" [2] reached number ...
A 2011 Rolling Stone reader's poll placed the song at number one on a list of the 10 best Van Halen songs. [3]Chuck Klosterman of Vulture.com named it the second-best Van Halen song, writing that it "merely feels like insatiable straight-ahead rock, but the lick is freaky, obliquely hovering above the foundation while the drums oscillate between two unrelated performance philosophies."