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Many memory consoles have a bank of faders. These faders can be programmed to control a single channel (a channel is a lighting designer's numerical name for a dimmer or group of dimmers) or a group of channels (known as a ""submaster""). The console may also have provision to operate in analog to a manual desk for programming scenes or live ...
In a theatre, a specialty panel known as a dimmer rack is used to feed stage lighting instruments. A U.S. style dimmer rack has a 208Y/120 volt 3-phase feed. Instead of just circuit breakers, the rack has a solid state electronic dimmer with its own circuit breaker for each stage circuit. This is known as a dimmer-per-circuit arrangement. The ...
When the dimmer is at 50% power, the switches are switching their highest voltage (>325 V in Europe) and the sudden surge of power causes the coils on the inductor to move, creating a buzzing sound associated with some types of dimmer; this same effect can be heard in the filaments of the incandescent lamps as "singing". The suppression ...
Digital Addressable Lighting Interface (DALI) is a trademark for network-based products that control lighting. The underlying technology was established by a consortium of lighting equipment manufacturers as a successor for 1-10 V/ 0–10 V lighting control systems, and as an open standard alternative to several proprietary protocols.
Typically a dimmer has a starting address that represents the lowest-numbered dimmer in that pack, and the addressing increases from there to the highest-numbered dimmer. As an example, for two packs of six dimmers each, the first pack would start at address 1 and the second pack at address 7. Each slot in the DMX512 packet corresponds to one ...
Initially this was done with analog control, allowing fluorescent ballasts and dimmers to be controlled from a central source. This was a step in the right direction, but cabling was complicated and therefore not cost effective. Tridonic was an early company to go digital with their broadcast protocols, DSI, in 1991.