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Hanging scrolls provide a vertical format to display art on walls. [3] [6] They are one of the most common types of scrolls for Chinese painting and calligraphy. [10] They are made in many different sizes and proportions. [5] Horizontal hanging scrolls are also a common form. [10] Hanging scrolls are different from the handscrolls.
Chinese painting (simplified Chinese ... Original writings by famous calligraphers have been greatly valued throughout China's history and are mounted on scrolls and ...
Along the River During the Qingming Festival (simplified Chinese: 清明上河图; traditional Chinese: 清明上河圖; pinyin: Qīngmíng Shànghé Tú) is a handscroll painting by the Song dynasty painter Zhang Zeduan (1085–1145) and copied or recreated many times in the following centuries.
A handscroll has a backing of protective and decorative silk (包首) usually bearing a small title label (題簽) on it. [6]In Chinese art, the handscroll usually consists of a frontispiece (引首) at the beginning (right side), the artwork (畫心) itself in the middle, and a colophon section (拖尾) at the end for various inscriptions.
The Admonitions Scroll is a Chinese narrative painting on silk that is traditionally ascribed to Gu Kaizhi (ca. 345 – ca. 406), but which modern scholarship regards as a 5th to 8th century work that may or may not be a copy of an original Jin dynasty (266–420) court painting by Gu.
Prosperous Suzhou (simplified Chinese: 姑苏 繁华 图; traditional Chinese: 姑蘇 繁華 圖; pinyin: Gūsū Fánhuá Tú), originally entitled Burgeoning Life in a Resplendent Age (simplified Chinese: 盛世 滋生 图; traditional Chinese: 盛世 滋生 圖; pinyin: Shèngshì Zīshēng Tú), is an 18th-century scroll painting created in 1759 by the Chinese court painter Xu Yang.
Painted in the 14th century, the scroll was damaged by a fire in 1650 and split into two — with one part now kept at the National Palace Museum in Taipei, and the other at the Zhejiang ...
Nine Dragons (九龍圖卷; Jiǔlóngtú juǎn) is a handscroll painting by Chinese artist Chen Rong. [1] Painted in 1244, it depicts the apparitions of dragons soaring amidst clouds, mists, whirlpools, rocky mountains and fire, the painting refers to the dynamic forces of nature in Daoism and the liquid, water-like essence of the Tao. [2]