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The Concierto de Aranjuez ([konˈθjeɾ.to ðe a.ɾaŋˈxweθ], "Aranjuez Concerto") is a concerto for classical guitar by the Spanish composer Joaquín Rodrigo. Written in 1939, it is by far Rodrigo's best-known work, and its success established his reputation as one of the most significant Spanish composers of the 20th century.
Concierto de Aranjuez [ edit ] The opening piece, taking up almost half the record, is an arrangement by Evans and Davis of the adagio movement of Concierto de Aranjuez , a concerto for guitar by the contemporary Spanish composer Joaquín Rodrigo .
7" single Mercury 6200 039 (1982, France, Netherlands, Portugal) 7" single Mercury 6000 903 (1982, France, Spain) . A. "Follow Me" (Adagio Movement Of The Concierto De Aranjuez) (5:55)
His Concierto Andaluz, for four guitars and orchestra, was commissioned by Celedonio Romero for him and his three sons. Of Rodrigo's works, those that have achieved the greatest popular and critical success are his Concierto de Aranjuez and Fantasia para un gentilhombre. These two works are very often paired in recordings.
Concierto de Aranjuez may also refer to: Concierto de Aranjuez, an album by the German band Cusco; Concierto de Aranjuez (Paco de Lucía album) Concerto d'Aranjuez / Sounds of Spain, a 1967 album released by the Paris-based Swingle Singers (released as Spanish Masters in the U.S.) Concierto de Aranjuez, a 1984 album by Dorothy Ashby
Spartacus Suite No. 2, I: Adagio of Spartacus and Phrygia / Khachaturian; Concierto de Aranjuez, II: Adagio / Joaquín Rodrigo; Can't Stop the Classics (Part 2) - 6:30 Fanfare Intro / Louis Clark; Die Meistersinger von Nürnberg Overture / Richard Wagner; Peter and the Wolf / Sergei Prokofiev; Marche Slave / Tchaikovsky
Corea opens the Light as a Feather version of "Spain" with the adagio from Joaquin Rodrigo's Concierto de Aranjuez. Corea took inspiration from Spanish flamenco guitarist Paco de Lucia for this piece. [7] After the intro, the song switches to a fast, steady samba-like rhythm, in which the main theme and an improvisation part are repeated.
During this time he was largely responsible for the growing popularity of the Concierto de Aranjuez, and made two early recordings, both with Argenta [6] – one in mono with the Madrid Chamber Orchestra (released between 1953 and 1955), [7] and the second in stereo with the Orquesta Nacional de España (recorded in 1957 and released in 1959). [8]