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The words, rules and tune for "Here we go gathering nuts in May" Here we are gathering nuts in May; by Elizabeth Adela Forbes The words and rules of the game were first quoted in the Folk-Lore Record, E. Carrington (1881), [2] followed by a similar description among the games for choosing partners by G.F. Northall (1882). [3]
ABAB – Four-line stanza, first and third lines rhyme at the end, second and fourth lines rhyme at the end. AB AB – Two two-line stanzas, with the first lines rhyming at the end and the second lines rhyming at the end. AB,AB – Single two-line stanza, with the two lines having both a single internal rhyme and a conventional rhyme at the end.
Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. [1]
Printable version; In other projects ... (first stanza) ... List and description of five-line poetry forms This page was last ...
The pantoum is a form of poetry similar to a villanelle in that there are repeating lines throughout the poem. It is composed of a series of quatrains; the second and fourth lines of each stanza are repeated as the first and third lines of the next stanza. The pattern continues for any number of stanzas, except for the final stanza, which ...
The Spenserian stanza varies from iambic pentameter in its final line, which is a line of iambic hexameter, or in other words an English alexandrine. In the seventeenth century, John Milton experimented by extending the seventh line of the rhyme royal stanza itself into an alexandrine in "On the Death of a Fair Infant Dying of a Cough" and for ...
In each verse, the text of the first line introduces a new item, and the other line uses the words to begin a list which includes items from all the preceding verses. The item is typically a new phrase (simultaneously a group of words and a musical phrase) to a line in a previous stanza. The two lines are often separated by refrains.
The favoured tail rhyme stanza forms, too, also shortened, with fewer examples of the twelve- and sixteen-line tail rhyme stanzas that had proved successful in Middle English. [16] From the sixteenth to the nineteenth century, the most popular tail rhyme stanza was AABCCB, with the main lines in tetrameter and the B-lines in either trimeter or ...