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  2. Nature printing - Wikipedia

    en.wikipedia.org/wiki/Nature_printing

    Nature printing is a printing process, developed in the 18th century, that uses the plants, animals, rocks and other natural subjects to produce an image. The subject undergoes several stages to give a direct impression onto materials such as lead, gum, and photographic plates, which are then used in the printing process.

  3. Combination printing - Wikipedia

    en.wikipedia.org/wiki/Combination_printing

    A combination print made from six different negatives. Combination printing is a photographic technique of using the negatives of two or more images in conjunction with one another to create a single image. Similar to dual-negative landscape photography, combination printing was technically much more complex. The concept of combination printing ...

  4. 30 Man-Made Innovations That Were Designed Mimicking Nature’s ...

    www.aol.com/30-objects-were-directly-inspired...

    Image credits: Sasha Weilbaker #4 Wind Blades. Humpback Whales are one of the largest weighing animals of the world, yet they are profound swimmers, which attributes down to its flippers (fins).

  5. Printmaking - Wikipedia

    en.wikipedia.org/wiki/Printmaking

    Screens made of silk or synthetic fabrics are used for the screen printing process. Other types of matrix substrates and related processes are discussed below. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is ...

  6. Chine-collé - Wikipedia

    en.wikipedia.org/wiki/Chine-collé

    Chine-collé print on vellum by Eugène Delacroix, 1828 Print on chine collé of a bookplate designed for William Corless Mills, c. 1917. Chine-collé or chine collé (French: [ʃin.kɔ.le]) is a printmaking technique in which the image is transferred onto a surface that is bonded onto a heavier support in the printing process.

  7. Soy ink - Wikipedia

    en.wikipedia.org/wiki/Soy_ink

    A major problem with soy ink is that it takes more time to dry than petroleum-based inks, due to its lack of evaporative solvents in the form of VOCs. [4] This creates challenges for some printing presses, especially those that use coated papers (such as magazines) instead of porous, uncoated paper (such as newspapers) where the ink can dry via absorption or IR in-line heaters.

  8. Nishiki-e - Wikipedia

    en.wikipedia.org/wiki/Nishiki-e

    Nishiki-e is also known as Edo-e, or azuma-nishiki-e. The technology to produce nishiki-e made printing complex colors and figures easy. It became a popular commodity during Edo period. Due to the increasing number of nishiki-e shops during the era, the price of a nishiki-e dropped to an affordable 16 to 32 mon.

  9. Salt print - Wikipedia

    en.wikipedia.org/wiki/Salt_print

    The salt print was the dominant paper-based photographic process for producing positive prints (from negatives) from 1839 until approximately 1860. Saint Michael's Church, Winterbourne, April 1859, salted-paper print, Department of Image Collections , National Gallery of Art Library, Washington, DC