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The original "up to eleven" knobs in the 1984 film This Is Spinal Tap "Up to eleven", also phrased as "these go to eleven", is an idiom from popular culture, coined in the 1984 film This Is Spinal Tap, where guitarist Nigel Tufnel demonstrates a guitar amplifier whose volume knobs are marked from zero to eleven, instead of the usual zero to ten.
In 1973 CBS changed the "tailed" Fender amp logo to the modern-looking "tailless" style (which was first introduced in 1967 on the student Bronco amp). A master volume knob and a pull-out "boost" pot were added on some amplifiers, followed by ultralinear output transformers and a "scripted tailless" amp decal featuring a "Made in USA" script in ...
Thanks to a dual function jack on the amp's rear panel, the Hot Rod can also be used as a standalone reverb unit to be used in conjunction with another amplifier's input or effects loop. In this function, the gain knob becomes the unit's dwell control, the volume knob retains its level function, and the reverb knob becomes the mixture control.
The most basic amps only have a few knobs, which typically control volume, bass, and treble. More expensive amps may have several knobs that control pre-amp volume (or gain), distortion or overdrive, volume, bass, mid and treble, and reverb. Some older amps (and their re-issued versions) have a knob that controls a vibrato or tremolo effect.
Trainwreck amplifiers are renowned for their dynamic overdrive sound and response. They can deliver a wide range of clean signals and high-gain overdrive solely with the manipulation of the guitar's volume knob. Most Trainwreck amps have five control knobs (volume, treble, mid, bass, presence).
Unlike the Champion 600, which has a strictly all-tube audio signal path, the Vibro Champ XD's tube circuitry is complemented by a digital signal processor (DSP) that functions as a pre-amp by modelling 16 different amplifiers. The effect of the volume, gain and tone control knobs varies according to the selected amp model.