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Shout (Black gospel music) A shout (or praise break) is a kind of fast-paced Black gospel music accompanied by ecstatic dancing (and sometimes actual shouting). It is sometimes associated with "getting happy". It is a form of worship/praise most often seen in the Black Church and in Pentecostal churches of any ethnic makeup, and can be ...
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Southern gospel. Gospel music is a traditional genre of Christian music and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ...
Label. Mercury. MG-20201. Gospel Train is a studio album by the gospel and R&B artist Sister Rosetta Tharpe. It was recorded in July 1956 and released in December the same year. [1][2] Tharpe is accompanied on vocals by the traditional black gospel quartet the Harmonizing Four on some of the songs. The album was noted as part of Tharpe's ...
The Sensational Nightingales are a traditional black gospel quartet that reached its peak of popularity in the 1950s, when it featured Julius Cheeks as its lead singer. The Nightingales, with several changes of membership, continue to tour and record. John Fogerty 's goal for the line, "rollin', rollin', rollin' on the river", in the song ...
The name derives from the Fisk Jubilee Singers, a group of singers organized by George L. White at Fisk University in 1871 to sing Negro spirituals. The members of the original Fisk Jubilee Quartet (1909–1916) were Alfred G. King (first bass), James A. Myers (second tenor), Noah W. Ryder (second bass), and John W. Work II (first tenor). [1]