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The First Impressionist Exhibition was an art exhibition held by the Société anonyme des artistes peintres, sculpteurs, graveurs, etc., [a] a group of nineteenth-century artists who had been rejected by the official Paris Salon and pursued their own venue to exhibit their artworks.
Theodore Robinson (June 3, 1852 – April 2, 1896) was an American painter best known for his Impressionist landscapes. He was one of the first American artists to take up Impressionism in the late 1880s, visiting Giverny and developing a close friendship with Claude Monet. Several of his works are considered masterpieces of American Impressionism.
Others, such as Childe Hassam, took notice of the increasing numbers of French impressionist works at American exhibitions. Impressionism was initially unpopular in the United States. At the first exhibit in 1886, Americans were attracted to the landscape paintings but were offended by the realist figures and nudity depicted in other paintings. [3]
Edgar Degas included At the Races in the Countryside at the first Impressionist exhibition at 35 Boulevard des Capucines in 1874. Ernest Chesneau gave the painting a positive review, saying that it was "exquisite in color, drawing, the felicity of the poses, and overall finish." [3] In 1893, Faure sold At the Races in the Countryside back to ...
The Ten American Painters was born from this group in 1898, when Twachtman, Weir, and Hassam found the Society hostile to the Impressionist style they had adopted. Leaving the group was considered a bold move by the general public, but the Society of American Artists felt that it was easier to let the members that were leaving go than appease them.
William Samuel Horton (November 16, 1865, Grand Rapids, Michigan, United States – October 1, 1936, Paris, France) was an American Impressionist painter who mostly painted landscapes and water scenes. He spent a large part of his life in Europe, mostly in France and England, where he trained and developed his impressionist style with major ...
He recognized the artistic and fashionable potential of Impressionism as early as 1870, and his first major exhibition of their work took place at his London gallery in 1872. Eventually Durand-Ruel had exhibitions of Impressionism and other works (including the expatriate American painter James Abbott McNeill Whistler who lived in London), at ...
He is remembered as the journalist and art critic for the French satirical newspaper Le Charivari, who coined the term "impressionists" to satirise the artists now known by the word. Leroy's review was printed in Le Charivari on 25 April 1874 with the title The Exhibition of the Impressionists .