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Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" [3] Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the US and in quick order sets about decimating the hypocrisy and myth-making of ...
Other hymns are also referenced in the score, including "What a Friend We Have in Jesus", [2] "Hold to God's Unchanging Hand", [3] [4] and "The Glory-Land Way". [5] Because the hymns are considered pre-composed music, the score was deemed ineligible to be nominated for Best Original Score in the 2010 Academy Awards .
"(I Know) His Blood Can (or, Will) Make Me Whole" is a traditional gospel blues song recorded by Blind Willie Johnson in 1927. It was released on his first single, with the flip side "Jesus Make Up My Dying Bed". [1] As is common with traditional songs, the lyrics differ among performers.
"Love of God" is a song by Brandon Lake and Phil Wickham. It was released as a standalone single on June 28, 2024. [1] Lake and Wickham co-wrote the song with Benjamin William Hastings and Cody Carnes. [2] Jonathan Smith handled the production of the single. The song peaked at number 20 on the US Hot Christian Songs chart published by Billboard ...
Hymns from the Heart is the seventh studio album and the second gospel album by American singer Johnny Cash, released on April 2, 1962. It features a selection of gospel songs, and is the second album of this type released by Cash, the first being Hymns by Johnny Cash .
Dear dying Lamb, Thy precious blood Shall never lose its pow'r, Till all the ransomed Church of God Be saved, to sin no more: Be saved, to sin no more, Be saved, to sin no more; Till all the ransomed Church of God Be saved to sin no more. E'er since by faith I saw the stream Thy flowing wounds supply, Redeeming love has been my theme,
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Something the Lord Made is a 2004 American made-for-television biographical drama film about the black cardiac pioneer Vivien Thomas (1910–1985) and his complex and volatile partnership with white surgeon Alfred Blalock (1899–1964), the "Blue Baby doctor" who pioneered modern heart surgery.