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The following is an incomplete list of works by Artemisia Gentileschi.Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell, [1] and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art.
Self-Portrait (Artemisia Gentileschi) Self-Portrait as a Female Martyr; Self-Portrait as a Lute Player; Self-Portrait as Saint Catherine of Alexandria; Self-Portrait as the Allegory of Painting; Susanna and the Elders (Artemisia Gentileschi, Brno) Susanna and the Elders (Artemisia Gentileschi, London) Susanna and the Elders (Artemisia ...
Artemisia Lomi or Artemisia Gentileschi (US: / ˌ dʒ ɛ n t i ˈ l ɛ s k i /; [1] [2] Italian: [arteˈmiːzja dʒentiˈleski]; 8 July 1593 – c. 1656) was an Italian Baroque painter. Gentileschi is considered among the most accomplished 17th-century artists, initially working in the style of Caravaggio .
Artemisia Gentileschi 8 July 1593 – c. 1656) was an Italian Baroque painter. Gentileschi is considered among the most accomplished seventeenth-century artists, initially working in the style of Caravaggio .
Christ and the Woman of Samaria is a 1637 oil painting on canvas by the Italian artist Artemisia Gentileschi, depicting a story from the New Testament. It was part of a private collection in Palermo , [ 1 ] and is now in the public Palazzo Blu in Pisa.
Bissell, R. Ward (January 1, 1968). "Artemisia Gentileschi-A New Documented Chronology". The Art Bulletin. 50 (2): 153– 168. doi:10.2307/3048529. JSTOR 3048529. Kaufmann, Thomas DaCosta (January 1, 1970). "Esther before Ahasuerus: A New Painting by Artemisia Gentileschi in the Museum's Collection". The Metropolitan Museum of Art Bulletin. 29 ...
3/5 Laura Knight and Artemisia Gentileschi feature among a vast array of little-known female artists in this expansive survey at Tate Britain, but some of the work on display only underlines the ...
Artemisia Gentileschi was around twenty years of age when she painted Judith Slaying Holofernes. Previously, Gentileschi had also completed Susanna and the Elders and Madonna and Child. These artworks already give an indication of Gentileschi's skill in representing body movement and facial expressions to express emotions. X-rays undertaken on ...