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Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
The Khalili Imperial Garniture is a trio of cloisonné vases created for a Japanese Imperial commission during the Meiji era. [1] The items were exhibited at the World's Columbian Exposition in Chicago, United States, in 1893, where they were described as "the largest examples of cloisonné enamel ever made".
Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
The Khalili Collection of Japanese Art is a private collection of decorative art from Meiji-era (1868–1912) Japan, assembled by the British scholar, collector and philanthropist Nasser D. Khalili. [2]
A haniwa of an armoured man has been designated as National Treasure; and a 1st-century gold seal, designated a National Treasure, shows one of the earliest mentions of Japan or Wa. [ 32 ] [ 33 ] Buddhism arrived in Japan in the mid–6th century Asuka period , and was officially adopted in the wake of the Battle of Shigisan in 587, after which ...
An Ōban (大判) was a monetary ovoid gold plate, and the largest denomination of Tokugawa coinage. Tokugawa coinage worked according to a triple monetary standard, using gold, silver and bronze coins, each with their own denominations. [1] Keichō gold coinage: Ōban, Koban, Ichibuban, 1601–1695.
Initially, the coinage was used essentially for export purposes in order to pay for imports of luxury goods from China, such as silk. [2] As gold and silver were in short supply, and also because the government was running a deficit, the content of gold in coins was decreased on two occasions, in 1695 and 1706–11, in order to generate more revenues from seigneurage, but with the effect of ...
Tokanabe ware was typically black with a stippled texture and hand-painted raised relief designs. Some pieces were also produced in brown, gold or orange. It was stamped Nippon until 1921, when the US Congress passed legislation requiring all products manufactured in Japan for export to the United States to be marked Made in Japan.