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Crashbox is a stop-motion animated "Edutainment" children's television series co-created by Eamon Harrington and John Watkin for HBO Family that ran from 1999 to 2000 in the United States. It was HBO's second series (their first being Braingames 15 years earlier) focusing on educational skits.
Bullock is known for providing voices for characters, such as Glow Worm in The Ant Bully, King Goobot in The Adventures of Jimmy Neutron: Boy Genius (replacing Patrick Stewart), Thunder in Teen Titans, Captain Bones and Lens McCracken in Crashbox, Lamont in Gargoyles, Flappy Bob from The Fairly Odd-Parents: School's Out!, and Primarch Galenth Dysley / Barthandelus in Final Fantasy XIII.
The tour saw the band headlining several stadiums and festivals throughout Europe, with the concert at Ullevi Stadium in Gothenburg, Sweden on 9 July being broadcast live in full on both Swedish national television and radio, [2] and co-headlining with Black Sabbath for the majority of the North American Ozzfest tour.
Life on the Line is the second studio album by English rock band Eddie and the Hot Rods. The album was mixed by Ed Hollis and Steve Nicol, produced by Ed Hollis, and engineered by Steve Lillywhite . Life on the Line reached number 27 on the UK Albums Chart . [ 1 ]
"Do Anything You Wanna Do" is a song written by Eddie and the Hot Rods' manager Ed Hollis (the brother of Talk Talk's Mark Hollis) and guitarist Graeme Douglas and recorded by the band, although the actual record label simply credited Rods as the artist. [3] It reached No. 9 on the UK Singles Chart in 1977. [4]
"We were convinced we were going to win, just because it deserved to win. But of course it didn't," chuckles Garbage's Shirley Manson.
The 2000 Unforgiven was the third annual Unforgiven professional wrestling pay-per-view (PPV) event produced by the World Wrestling Federation (WWF, now WWE). It took place on September 24, 2000, at the First Union Center in Philadelphia, Pennsylvania.
However, it is available on CD from the official Eddie Izzard website. Fans and critics alike recognise the change in Izzard's comedy over the years; Live at the Ambassadors is an example of Izzard's very early and less confident style of stand-up (during the interval, Izzard comments that the first half was ' a bit clunky at the beginning'). [1]