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2. “RIVER” BY LEON BRIDGES. Best lyrics: “Oh, I wanna come near and give ya/Every part of me”. Just jump ahead to the 1:30 mark to get to the good stuff.
The "Bridal Chorus" (German: "Treulich geführt") from the 1850 opera Lohengrin by German composer Richard Wagner, who also wrote the libretto, is a march played for the bride's entrance at many formal weddings throughout the Western world.
Music is often played at wedding celebrations, including during the ceremony and at festivities before or after the event. The music can be performed live by instrumentalists or vocalists or may use pre-recorded songs, depending on the format of the event, traditions associated with the prevailing culture and the wishes of the couple being married.
"Passion" is a song by English electronic music group Gat Decor. It is their best-known work and was originally released in 1992 on Effective Records. The 12-inch single contained the original, instrumental version (The Naked Mix) along with Darren Emerson's remix on the B-side. This was Emerson's first remix, and also his first record label.
It is the first of five movements in Noble's "Indian Suite" (Cherokee, Comanche War Dance, Iroquois, Seminole, and Sioux Sue). [1] Due to the tune incorporating many of the chords most commonly used in jazz and the multiple key transitions of the B-section, the tune is often recommended by tutors as a core standard to learn early on in a jazz ...
The "Chicken Dance", also known and recorded as Der Ententanz, Tchip Tchip, Vogerltanz, the Bird Song, the Chicken Song, the Birdie Song, the Bird Dance, Danse des Canards, the Duck Dance, El Baile de los Pajaritos, O Baile dos Passarinhos, Il Ballo del Qua Qua, Check Out the Chicken, or Dance Little Bird, is an oom-pah song; its associated fad dance has become familiar throughout the Western ...
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. [2] His use of impressionist harmony, block chords, innovative chord voicings, and trademark rhythmically independent "singing" melodic lines continue to influence jazz pianists today.
The term was attributed by Jon Hendricks to the jazz critic Leonard Feather to describe the first Lambert, Hendricks, and Ross album, Sing a Song of Basie. [2] Most vocalese lyrics are entirely syllabic, as opposed to melismatic. That may lead to the use of many words sung quickly in a given phrase, especially in the case of bebop.