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It used 35mm slide film to produce stereo pair images in the standard 5P Realist format. This allowed Kodak Stereo Camera owners to use most accessories and services originally designed for the Stereo Realist. It was the second best selling stereo camera of the 1950s era, eclipsed only by the Stereo Realist.
Tru-Vue, a subsidiary of Rock Island Bridge and Iron Works, was a manufacturer of stereoscopic filmstrips and corresponding stereoscope viewers, based in Rock Island, Illinois, from 1932 to 1951 and in Beaverton, Oregon, from 1951 until the late 1960s.
A box of Ektachrome 64T in 120 format, late 90's European package, expired December 2001. Ektachrome is a brand name owned by Kodak for a range of transparency, still and motion picture films previously available in many formats, including 35 mm and sheet sizes to 11 × 14 inch size.
Stereo Realist Red Button viewer with slides. The Realist uses standard 135 film.The unusual proportions of the slides (the image was 5 sprockets wide [5]) became the standard for 3-D slides, and is known as "5P" or "Realist Format".
Easy to store and easy to use, filmstrips were a practical alternative to 35mm films. By the 1980s, however, compact and efficient video players, including VHS, rendered filmstrip projectors obsolete.
Medium-format slide projectors, for medium-format slides larger than 35mm. [citation needed] Specialised large-format slide projectors for large transparencies of 18 × 18 cm (7.1 × 7.1") or larger. [citation needed] Related devices: Overhead projectors, for page-sized transparencies; Slide viewer, for direct viewing of a magnified image of a ...