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"Double Life" is a diss track written, produced, and performed by American singer-songwriter Pharrell Williams. Originally previewed on Williams's YouTube channel on May 8, the song was released by Columbia Records as a single for the soundtrack of the film Despicable Me 4 on June 14, 2024. An orchestral song, it was met with generally positive ...
Double Life is a television advertisement released in 1999 by SCE Europe. The 60-second long ad – conceived and written by copywriter James Sinclair, art director, Ed Morris and Trevor Beattie (creative director) – shows 19 PlayStation players discussing their gaming experience with the console. The ad was the most highly awarded in the ...
A Double Life, a French-West German drama film; Double Life, a 2002 album by Värttinä "Double Life", a song by Styx from Kilroy Was Here "Double Life" (The Cars song), a 1979 single "Double Life" (Pharrell Williams song), a 2024 diss track "Double Life" (PlayStation ad), a 1999 television advertisement; Double Life (Invisible Detective), the ...
Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics , or singing , although it might include some inarticulate vocals , such as shouted backup vocals in a big band setting.
The lyrics are very clearly referring to a person that's not just Gru. Like the lyrics "heard to rumors" and "Some of your dirt has come to life" refers to Drake, not really Gru. Most reliable sources consider it a diss track as well. Turtletennisfogwheat 04:19, 27 November 2024 (UTC) Dang.
According to the category description guide for the 52nd Grammy Awards, the award is presented to albums containing "at least 51% playing time of newly recorded pop instrumental tracks". [3] As of 2024, Larry Carlton , Béla Fleck , Booker T. Jones , Edgar Meyer and Snarky Puppy are the only musicians to receive the award more than once.
"Double Life" is a single by the American rock band the Cars from their second album Candy-O. Written by Ric Ocasek , the song was almost left off the album. The song was released as the third single from the album in 1979, but did not chart.
An instrumental version was recorded by Bill Haley & His Comets in 1959 and released as a single in 1960; it was the band's final release for Decca Records and was only a minor hit. In 1961, Ray Charles recorded an instrumental version for his album The Genius After Hours. The R&B group the Sensations released a rendition in 1961.