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The Expulsion from the Garden of Eden (Italian: Cacciata dei progenitori dall'Eden) is a fresco by the Italian Early Renaissance artist Masaccio. The fresco is a single scene from the cycle painted around 1425 by Masaccio, Masolino and others on the walls of the Brancacci Chapel in the church of Santa Maria del Carmine in Florence.
Masaccio's fresco of The Expulsion (1426–1427) When it was cleaned in the 1980s, the added fig leaves were removed. The Expulsion from the Garden of Eden, depicts a distressed Adam and Eve, chased from the garden by a threatening angel. Adam covers his entire face to express his shame, while Eve covers her breasts and groin.
Masaccio's Expulsion of Adam and Eve from Eden, Smarthistory [12] The Expulsion from the Garden of Eden , depicts a distressed Adam and Eve , chased from the garden by a threatening angel. Adam covers his entire face to express his shame, while Eve's shame requires her to cover parts of her body.
The Temptation of Adam and Eve, by Masolino da Panicale. In contrast with Masaccio's Expulsion , this is a serene and innocent raffiguration. The cycle begins with this painting by Masolino , placed on the higher rectangle of the arch delimiting the Chapel, within the pillar thickness.
Expulsion from the Garden of Eden, by Masaccio (c. 1425) Expulsion from the Garden of Eden (Cole), by Thomas Cole (c. 1828) Expulsion from Paradise (Pontormo), by Jacopo da Pontormo (c. 1535) Paradise Lost by John Milton (1667) The Expulsion of Adam and Eve from the Garden of Eden, one of William Blake's illustrations of Paradise Lost (1807)
Masaccio's master Masolino, commissioned by a wealthy merchant, Felice Brancacci, began work on the chapel in 1425 and was soon joined in the project by his pupil, Masaccio. The scenes by Masolino are St Peter Healing a Lame Man and Raising Tabitha from the Dead, St Peter Preaching, and Adam and Eve.
The two outer panels show near life-sized nudes of Adam and Eve standing in niches. They are one of the earliest and direct treatments of the nude in Western art, [33] and almost contemporary with the equally ground-breaking figures in Masaccio's Expulsion from the Garden of Eden (Florence, c. 1425). They face inwards towards the angels and the ...
Expulsion from Paradise or the Expulsion of Adam and Eve is an oil on panel painting by Pontormo, now in the Uffizi in Florence, whose Gabinetto Disegni e Stampe also has a preparatory drawing for it. [1] Its dating is also uncertain and varies between c.1519 and c.1543, but is held to be c.1535 by the Uffizi. [2]