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He produced Shalamar, Patti Brooks, Santa Esmeralda, Jessica Williams with Arpeggio and the electro group French Kiss, Romance, Charisma, Nicole Stone, Spice of Life, as well as recording with his namesake Simon Orchestra. [4] Soussan scored hits with Jessica Williams "Queen of Fools", and Arpeggio "Love and Desire".
Love and Desire (French: Le désir et l'amour) is a 1951 French-Spanish drama film directed by Henri Decoin and Luis María Delgado and starring Martine Carol, António Vilar and Carmen Sevilla. [1] It was based on the 1929 novel of the same title by Auguste Bailly .
A series of arpeggios in J. S. Bach's Jesu, Joy of Man's Desiring "The Star-Spangled Banner" opens with an arpeggio. [1] Arpeggios open Beethoven's Moonlight Sonata and continue as accompaniment An arpeggio ( Italian: [arˈpeddʒo] ) is a type of broken chord in which the notes that compose a chord are individually sounded in a progressive ...
JDC Records was an important record distributor during the golden years of dance music (1976–1990). It was originally located in San Pedro, California and owned by Jim and Dale Callon.
A noticeable difference between these manuscripts and the famous version of Yepes is the inverted arpeggio. Both manuscripts, though believed to be from the late 19th Century, have not been formally dated. They are not believed to be in the handwriting of the alleged authors, but are thought to be copies made by students or other musicians.
" Plaisir d'amour" ([plɛ.ziʁ da.muʁ], "Pleasure of love") is a classical French love song written in 1784 by Jean-Paul-Égide Martini (1741–1816); it took its text from a poem by Jean-Pierre Claris de Florian (1755–1794), which appears in his novel Célestine. The song was greatly successful in Martini's version.
Desiré Inglander has been by Mondo Duplantis’ side long before the Swedish-American athlete took home the gold medal at the 2024 Paris Olympics. Duplantis and Inglander first connected at a ...
NME called it "some kind of love song" and found musical and lyrical symmetry between the song and the group's 1981 album October. [38] Mike DeGagne of AllMusic praised the song for Eno's and Lanois' "gleaming" production work, Bono's vocals and "poetic deftness", and for The Edge's "astute but assertive" guitar playing. DeGagne described Bono ...