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Scenes depicting the Annunciation represent the perpetual virginity of Mary via the announcement by the angel Gabriel that Mary would conceive a child to be born the son of God. The scene is an invariable one in cycles of the Life of the Virgin, and often included as the initial scene in those of the Life of Christ.
The archangel Gabriel appears before Mary to announce that she will bear the Son of God. [8] He is shown standing in a three-quarter view, [9] wearing a small jeweled diadem and dressed in vestments. He has a richly embroidered red-and-gold brocade cope, edged with a pattern of gray seraphim and wheels, over a white alb and amice.
And in the sixth month the angel Gabriel was sent from God unto a city of Galilee, named Nazareth, to a virgin espoused to a man whose name was Joseph, of the house of David; and the virgin's name was Mary. And the angel came in unto her, and said, Hail, thou that art highly favoured, the Lord is with thee: blessed art thou among women.
"Gabriel's Message" or "The angel Gabriel from heaven came" (Basque: Birjina gaztetto bat zegoen) is a Basque Christmas folk carol about the Annunciation to the Virgin Mary by the archangel Gabriel that she would become the mother of Jesus Christ the Son of God.
The Feast of the Annunciation (Greek: Ο Ευαγγελισμός της Θεοτόκου, romanized: O Evangelismós tis Theotókou, lit. 'the Annunciation of the Mother of God') commemorates the visit of the archangel Gabriel to the Virgin Mary, during which he informed her that she would be the mother of Jesus Christ, the Son of God.
"Mary" tells the story of the Virgin Mary from childhood through the birth of Jesus. Some biblical experts think the film strays from the truth.
The event is narrated in Luke 1:26–38, in which Gabriel tells Mary that she will bear Jesus, the Son of God. Perhaps influenced by the fundamentalist teachings of the African Methodist Episcopal Church , Tanner uses a column of light to depict Gabriel and paints Mary in peasant clothing with no halo or other discernible holy attributes.
To some medieval viewers, the kiss was a literal representation of the moment of Mary's conception, while for others it was a symbolic representation. The main figures may be accompanied, usually Anne with women and Joachim with shepherds. The Archangel Gabriel, always shown in Annunciations, may appear here also. [3]